Limnology will be installed at the Paul Stolper Gallery, London, April 29th – May 1st, as part of “The Silence Between” series.
The exhibition will incorporate the music on headphones and a specially commissioned case-bound edition of the accompanying book, presented on a V-shaped display cradle – imitating a valley through which the text/river flows.
The music and book will be accompanied by a series of five new prints, one of which can be seen above. Each is a form of palimpsest – the 1000+ word glossary of ‘water words’ overwritten by an almost asemic patterning of characters derived from the glossary itself, but virtually unreadable. These texts, like many of those within the Limnology book, dramatise the poem which originally appeared in Landings:
What line did the river first write in the valley?
What sense, made over and over, now senseless?
Dissolved salts. Glacial memories.
Inklings of maternal violence
written in moraines,
in pulverised rock.
(A syllabary, loosened
from grit and clay.)
What is the true note deep within the foss,
heard, straining, above the froth and laughter?
An ancient, unchanging music
that scores valleys,